Matt Bollinger's works at Galerie Zürcher deliver a unique literary narrative through collage.
Who will you meet in Bernini's forest?
What a treat to see Romain Bernini develop into a true talent in the art world.
Most of us didn't see his exhibition this summer in a castle near Toulouse. But his newest exhibition, Woods, in his Parisian gallery, provides the visitor with a veritable walk in the forest, with 8 - 10 large-scale depictions of trees providing you with a physical immersion in his creative environment.
Then there's a clearing, and you enter into a world where average, jeans-wearing, soft-around-the-middle contemporary men have donned the masks of a tribal yesteryear, while the wolves howl around the perimeter, with only a ramshackle outbuilding to demarcate the wild from the civilized.
How is it, his works seem to ask, that I/we have come to this place, where the savage, the effervescent life of the woods, the mystical communion with wild energy, is disintegrating before our eyes?
Upstairs, we were enchanted by smaller works, including a lovely snowy owl, and the always welcoming gallerist Suzanne Tarasiève herself, and her crew.
Guillaume Brunet Vice City serie
Thibault Brunet, Vice City
You’ll never guess where these photographs were taken
Thibault Brunet’s photos aren’t the large, vibrant, glossy photos that draw your eye across the gallery. They’re atmospheric landscapes and streetscapes, eerily deserted and monochromatic. They’re so unlike anything out there, yet somehow familiar. And so you approach.
Further inspection reveals a digital quality to them -- the hovering presence of pixels. And it’s at this point, when you’re still puzzling it out, that Valerie Cazin of Galerie Binôme approaches and lets you in on the secret -- and you lean in even closer.
Many kinds of people play video games, but not many play them like Thibault Brunet
Brunet's series, First Person Shooter
His photographer’s sensibility led him to steer his avatar away from interactions, the “murder, blackmail, theft and escape, enemy liquidation, bombing…” or war-zone occupations, as he says.
Instead, he sought out the “forgotten spaces” of the games -- spaces void of any action beyond the crashing of digital waves upon the shore.
We see digital roads begging to be driven down, satellite receiver dishes peeking over the horizon, and contemporary buildings. In some photos, you can even see the glimmer of the virtual car’s headlights, where Brunet has pulled over to snap his photo.
That was his Vice City series. His more recent works, First Person Shooter and Landscape show clearly the high cost of war, whether etched on the faces of soldiers or on the surfaces of buildings -- all rendered with the shimmering, vaguely unreal quality of a digital moment in time.
Ask us about a day of digital art in Paris. Together, we'll discover the works of Thibault Brunet at Galerie Binôme, where they are currently exhibited in a group show on until March 1, 2014.
